Sale

Mackie 1604VLZ4 - 16-Channel 4-Bus Compact Mixer

Mackie
SKU:
1604VLZ4
$1,049.99 $839.99
Current Stock:

16-Channel 4-Bus Compact Mixer

THE ORIGINAL NO-NONSENSE COMPACT MIXER SERIES

Now featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time. 

A legend in compact mixer design, the 1604VLZ4 now combines the proven performance of Onyx preamps with the no-compromise high-headroom/low-noise design that has made the 1604 an industry mainstay.

All 16 channels feature an Onyx mic pre, line input
and insert in a compact 4-bus design built for application flexibility and professional performance. Plus, it is truly “Built-Like-A-Tank” with a ridiculously rugged solid-steel chasis that includes high-contrast controls for ultimate tactile control.

Found in countless professional broadcast and post facilities and easily the most proven band-friendly analog mixer ever, the 1604 stands alone in the world of compact mixing. 

APPLICATIONS: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multitrack studio and field recording, video post-production, multimedia applications, broadcast and many, many more. 

FEATURES:

  • 16 boutique-quality Onyx mic preamps
    • Ultra-wide 60 dB gain range
    • 128.5 dB dynamic range
    • +22 dBu line input handling
    • Extended frequency response
    • Distortion under 0.0007% [20 Hz – 50 kHz] 
  • Improved RF rejection, perfect for broadcast applications
  • Phantom power for condenser mics
  • 16 high-headroom line inputs with +4/–10 operation control
  • 16 balanced inserts perfect for integrating outboard ear
  • 3-band EQ with sweepable midrange
  • 18 dB/oct 75 Hz low-cut filter on mic input channels
  • Four aux sends, level, pan and solo and overload/mute LEDS on each channel
  • Four stereo returns, eight direct outs and four group/bus outputs
  • 60 mm long-wearing log-taper faders
  • Control room / phones multi-input source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
  • Rack-mountable design with three physical configurations via Rotopod accessory (sold separately)
  • Multi-voltage power supply for worldwide use